Agence DMN, 30 Grosvenor Square, London (2026)

29/10/2026

Wood, colorful marbles and works of African art: in Paris, the Stene Alexopoulos studio has transformed a once minimalist apartment into a warm interior.

In the Palais-Royal quarter of Paris 2er, living here means the best location with a historic atmosphere. This is the daily life of Sandra and Robin, who both work in finance, and their two children aged nine and three. The family occupies an apartment located in a 5-story building built around 1850. Perched above the rooftops of Paris, this 120 m² apartment offers a spectacular view of the Choiseul passage.

To imagine this new decor, the architects were inspired by Sandra and Robin’s passion for African art. “This interest is also linked to their family history. Sandra’s parents, like Robin’s grandmother, are from North Africa, “says Jonathan Stene.

In the living room, the Sesann brown leather sofa, designed by Gianfranco Frattini for Tacchini, takes up the earthy tones of African sculptures. The solid walnut coffee table, embellished with a Greek Cipollino marble insert, was specially designed for the apartment by the two architects. Nearby, two Italian armchairs from the mid-20th century rub shoulders with Tacchini’s Andrea sconces, with silver reflections. “The wood, warm and with earthy tones, contrasts with the mineral freshness of marble.”

In our work, we like to compare the harshness of forms with the preciosity of materials, in order to create a subtle balance between functionality and poetry,” concludes Elena Alexopoulos.

Interior: STENE ALEXOPOULOS
Photo: Clement Vayssieres
Extract: BETTINA KRAUSE via Architectural Digest Germany
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28/10/2026

Located just a stone’s throw from the gardens of the Palais Royal, this apartment is in a beautiful 18th-century building. The guideline of this project was to preserve the original volumes and materials of this sublime setting in a listed building, while adding a modern touch.

A Burgundy stone floor with cabochons, preserved and restored, Hungarian parquet that has regained its original patina, oak doors and windows whose original colour has been rediscovered: so many elements that the architects had to match with the new modernity brought to this apartment.

A kitchen in light oak and Hainaut blue stone perfectly matches the floor.In the living room, a new full-height plaster bookcase frames one of the beautiful double doors, and continues into the study, an attractive room furnished with a table by Axel Einar Hjorth, a beautiful plaster hanging lamp, and an alcove created towel come a powerful antique torso. In the bedroom, on either side of the canopy bed, two Venetian mirrors in Murano glass, whose green echoes the choice of color for the curtains, are hung above lamps by Jacques Pouchain on stools by Carlo Bugatti.

Project: Appartement Molière, Paris
Interior: EBUR
Photo: Matteo Verzini
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27/10/2026

Mid-Centrury galore x OTT Frenchness | Exhibit A: Juxtaposition at its best possible example.

Who knew the historic setting of Hôtel de Maisons can offset mid-century modern icons so damn well, the selection unfolds across the fair’s intimate interiors. During the Part Art Week, Laffanour | Galerie Downtown brought together a selection of historic furniture and artworks, from Charlotte Perriand, Jean Prouvé and Le Corbusier to José Zanine Caldas and Takis at Design Miami.Paris. Just wish we were there …

Photo: ©️Studio Shapiro
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27/10/2026

During Paris Art Week, Zana opened the doors to his brand new gallery and showroom overlooking Place des Victoires. Named “Something Else,” the installation was curated by Italian curator Marion Franchetti and pairs the artworks by the late artist Mario Schifano alongside Zana’s evolving furniture collection of new designs and established pieces.

“I was looking to mix my furniture in that place with an artist. I was thinking about Schifano because he was always, for me, someone very linked to keeping the painting very rough, being very minimalistic, and working very, very much with color. So I had this intuition — I had this feeling — that Schifano would go very well in the place,” Zana told WWD, adding that the selection of works are derived mainly from the ’60s and ’70s.

Known as a pioneer of Italy’s postmodern movement, Schifano was part of an artists’ milieu known as Scuola di Piazza del Popolo. His work was defined by a rebellious energy that echoed throughout his painting, photography, cinema, music and television. Among his most revolutionary works is the Propaganda series, which dates back to the early 1960s and incorporates cultural references like logos of major American companies such as Coca-Cola and Esso.

Photo: ELLE Décoration France
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22/10/2026

Great minds think alike. We’ve long admired how Nordic Knots’ collections effortlessly appear—no aggressive marketing, no hard launches, just pure design surfacing naturally.

In late September, Nordic Knots amidst the historic charm of architect Auguste Perret’s Parisian home, Georgian design duo Rooms Studio brought Nordic Knots’ Grand Collection into being. Sculptural forms, stone, and woven textures felt right at home framed by soaring ceilings, rich timber panelling, and the Eiffel Tower just beyond the glass.

Bringing visionary collectives together creates magic—a beautiful, seamless dialogue between old and new.

Architecture: Atelier Auguste Perret
Interior Styling: Rooms Studio
Rugs: Nordic Knots
Photo: Adrianna Glaviano
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21/10/2026

“I wanted all the attention to be focused on the wonderful views over Knokke. We need to ask ourselves: where do I want brightness and where do I want intimacy?” And she delivers—just as her clients expect. For this project, interior designer Sofie Buelens had a generous space to bring this vision to life.

The project began with the merging of two adjoining apartments, purchased by the owner while the building was still under construction, allowing Buelens to completely rethink the floor plan. On one side is a double-height living area opening onto views of Knokke; on the other, the more private spaces. Between them unfolds a sequence of rooms in which light, material, colour and furniture shift according to how each space is meant to be lived in.

Raw concrete plays against stained okoumé wood and lacquered surfaces in pistachio and burgundy. A wall-to-wall carpet flows up from the floor onto the bed and the staircase, wrapping the rooms in a soft, cocoon-like calm. Space-age furniture sits alongside contemporary design pieces such as Kuhlmann’s Flower Lamps and the Blown-Up Chair by Schimmel & Schweikle. A wood-clad hallway links the living and sleeping areas and doubles as a library and home office. Throughout, every room is arranged to draw in natural light and frame sweeping views over Knokke and the landscape beyond.

“The whole design of the apartment stands in complete contrast with the typical Knokke style. This is exactly what the client wanted: something different and unexpected.” as Buelens delivered.

Interior: Sofie Buelens
Photo: Tijs Vervecken
Words: Simone Lorusso via
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&Schweikle

20/10/2026

In this Williamsburg loft, sculptural cuisine becomes the meeting point of art, design, and conviviality.
There is a long-standing debate over the role of the kitchen. For young singles, it can often feel like an underused, trivial space. For others, however, it is the heart of the home—a natural gathering spot for cooking, hanging out, and catching up. Ultimately, a kitchen’s functionality depends on its users, but design remains paramount in either case. The owner of this dreamy New York loft firmly subscribes to the latter view; their passion for cooking and entertaining directly guided the home’s transformation.

“Central to the main living area, the kitchen was designed to be experienced like an exhibition piece,” explains designer Nicholas Obeid.

Spanning 158m2 flooded with natural light, the space features 4.5-meter-high ceilings anchored by original, century-old wooden beams. Following a complete gut renovation, the gleaming kitchen reads like fine exhibition piece. Obeid thoughtfully sequenced the hallway and bathrooms to create a sense of discovery, drawing visitors forward toward the dramatic, sunlit main space.

The designer curated an exquisitely hybrid interior, seamlessly interweaving the historic building’s industrial character with refined Italian references—such as the subtle nod to Villa Necchi Campiglio via rich travertine in the bathrooms. Outfitted with a blend of vintage pieces and custom designs by Obeid himself, the result is a deeply sensual, tactile environment that remains entirely practical—built to be lived in and enjoyed in tranquility by host and guest alike.

Project: loft in a 1910 building in Williamsburg, Brooklyn
Interior: Obeid
Photo: William Jess Laird
Extract: Asad Syrkett and
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19/10/2026

It is always refreshing to see authentic vintage pieces integrated into modern retail design (*hint on 1st slide). Following Zara’s high-profile collaboration with Vincent Van Duysen, parent company Inditex continues its brand elevation strategy—this time with Massimo Dutti, another crown jewel in the group’s portfolio.

Massimo Dutti has unveiled a stunning new flagship store inside Rome’s historic Palazzo Ruspoli, situated along the iconic Via del Corso. Spanning 2,000 m2, the space features a monumental palatial staircase that leads visitors into an interior bathed in its original heritage. A sequence of vaulted, arched rooms is layered with the warm tones of natural wood, rich rugs, and refined furniture that beautifully complement the site’s historic architecture. The first floor presents the full Men’s and Women’s collections, alongside the exclusive debut of the Fall/Winter 2026 Limited Edition line. Far beyond a typical fashion boutique, the brand aims to foster local cultural connection. To mark the opening, Roman bookstore Leporello Books was invited to curate an exclusive library of art and design titles.

A Living Piece of Roman History -
Palazzo Ruspoli’s story is one of continuous evolution, shaped by centuries of noble ownership. Unfinished when the Florentine Rucellai family purchased it in 1583, the palace was completed by architect Bartolomeo Ammannati. Around 1640, the Caetani family commissioned its famous marble staircase from Martino Longhi the Younger, and the Ruspoli family—owners since 1776—still retain a portion of the estate today. Respecting this legacy, Massimo Dutti began the project with a rigorous heritage study, employing specialist artisans to meticulously restore historic finishes throughout the space. The result is a masterclass in architectural patronage and historic preservation.

Massimo Dutti, Palazzo Ruspoli, Via del Corso 418, Rome.
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16/10/2026

Designed by Barde vanVoltt for clients Tony Dominguez and Rafael Fajer, this 300 m² brutalist penthouse redefines the concept of shelter by serving as an intimate, serene sanctuary for the couple and their dogs.

Shaped by its owners’ impeccable design sensibility, the two-level residence explores a softer interpretation of brutalism—balancing curved geometry, calm spaces, and tactile wood with an almost-ascetic purification rooted in wabi-sabi philosophy. At its center, a sleek stainless steel core articulates daily life with industrial coolness and precision, contrasting beautifully with the organic warmth of the surrounding materials.

Between courtyards, cross-visual sightlines, a sun-soaked deck, an outdoor gym, a BBQ area, and a firepit under the stars, this architecture provides a peaceful, creative’s retreat that offers a quiet counterbalance to the intensity of city life.

Project: Intimidad Desnuda
Interior: Barde vanVoltt
Local architect & contractor: Jose Muñiz/ Planta Libre Arquitectura
Photo: Gabriela Estrada & Alejandro Ramirez Orozco via Architectural Digest México
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15/10/2026

Inside a 15th-century Venetian palazzo, architect and designer Giulia Foscari reimagines history with a deep respect for heritage and a sophisticated, cosmopolitan touch. Ancient architectural memories and contemporary furnishings merge to tell a truly global story.

A native of Venice, Foscari returns home after years of working abroad—building her career between Hong Kong and Buenos Aires before leading Rem Koolhaas’ OMA studio. Driven by new ambitions, she moved to Hamburg to found UNA/UNLESS, a platform bridging architectural design and environmental activism. Today, her Venetian projects range from the Anish Kapoor Foundation and an exhibition space for Dries Van Noten to a private residence and Voice of Commons, an initiative focused on protecting global commons.

“This building stands on 14th-century foundations and was expanded during the first half of the 19th century. We worked extensively to uncover its original, austere 16th-century proportions, which had been ‘domesticated’ over time,” explains Foscari. Unless one prefers living in a static museum, contrasting such an unapologetically historic backdrop with contemporary pieces is the key to sparking magic - creating a vibrant, harmonious dialogue between past and present with a distinctly glocal future.

Interior: Giulia Foscari
Photo: Giulio Ghirardi via AD Italia
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Agence DMN

29/10/2026

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