Post-Digital Neo-Baroque, Gaisbergweg 5 (2026)

13/12/2022

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PD
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TRAITS of Postdigital Neobaroque CONFERENCE GOODIES

Postdigital Neobaroque is a research project, funded by the Austrian Science Fund (FWF) and led by Professor Marjan Colletti at Universität Innsbruck - Institut für Experimentelle Architektur.

Project lead
Univ.-Prof. DI Marjan COLLETTI, MArch., PhD
Team
Peter MASSIN, Theresa UITZ, Andreas KÖRNER, Clara JASCHKE
Conference Organisation
Laura WINTERBERG
Logo Design: David EINWALLER .einw
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13/12/2022

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PD
NB

TRAITS of Postdigital Neobaroque CONFERENCE GOODIES

Postdigital Neobaroque is a research project, funded by the Austrian Science Fund (FWF) and led by Professor Marjan Colletti at Universität Innsbruck - Institut für Experimentelle Architektur.

Project lead
Univ.-Prof. DI Marjan COLLETTI, MArch., PhD
Team
Peter MASSIN, Theresa UITZ, Andreas KÖRNER, Clara JASCHKE
Conference Organisation
Laura WINTERBERG
Logo Design
David Einwaller .einw
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10/12/2022

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PD
NB

TRAITS of Postdigital Neobaroque CONFERENCE FLYER

Postdigital Neobaroque is a research project, funded by the Austrian Science Fund (FWF) and led by Professor Marjan Colletti at Universität Innsbruck - Institut für Experimentelle Architektur.

Project lead
Univ.-Prof. DI Marjan COLLETTI, MArch., PhD
Team
Peter MASSIN, Theresa UITZ, Andreas KÖRNER, Clara JASCHKE

Logo Design: David Einwaller .einw

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09/12/2022

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PD
NB

TRAITS of Postdigital Neobaroque CONFERENCE GOODIES

Postdigital Neobaroque is a research project, funded by the Austrian Science Fund (FWF) and led by Professor Marjan Colletti at Universität Innsbruck - Institut für Experimentelle Architektur.

Project lead
Univ.-Prof. DI Marjan COLLETTI, MArch., PhD
Team
Peter MASSIN, Theresa UITZ, Andreas KÖRNER, Clara JASCHKE

Logo Design: David Einwaller .einw

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25/11/2022

MEET THE INVITED LECTURER OF THE TRAITS OF POSTDIGITAL NEOBAROQUE CONFERENCE 2022

Friday 9th December 2022
Gestural Lines/Painterly Attitudes:
Hogarth, Wölfflin and the Late Baroque ‘Formgefühl’

OLIVER DOMEISEN
Oliver Deomeisen AADipl is a London-based Swiss architect, ornamentalist, curator and academic. He is a History & Theory Lecturer and Diploma Thesis advisor at UCL Bartlett (since 2012). He has taught BArch and MArch design studios, and History and Theory courses, as a Unit Master at the Architectural Association, Visiting Professor at the Academy of Fine Arts Vienna, Lecturer at Innsbruck University, ETH Zurich, etc. He is a former project architect for Zaha Hadid, AA Trustee, V&A Curator of Contemporary Architecture & Urbanism, and produced the “Re-sampling Ornament” exhibition for the Swiss Architecture
Museum. He lectures and publishes internationally (see https://oliverdomeisen.academia.edu/research ).

MEET Oliver Domeisen on Friday 9th December 2022 at TRAITS 2022 in Obergurgl.
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24/11/2022

TRIOPIC SPECTACLE

Heelen Goethals made a booklet for the selected works of the John Verbeke International Exhibition during the conference.

And our Project is part of it:
Triopic Spectacle
transmedial Installation for the Ars Electronica Festival 2021

Mixed Reality: The local VR space. A virtual, spatial, borderless, multi-user visual space that reinterprets the acanthus leaf ornament (a quintessential imitation of nature in architecture) and extends it into a space of immersive visual, haptic and acoustic experiences for ‘visitors’ with VR headsets (available on site). Here, users can also interact with the avatar of the robotic arm, which can also transcend its own technological, machine-like nature and become an integral part of the design environment. In the digital space, the visitors’ movements are processed exclusively digitally. This allows interaction with the robot in the most direct way and without time delay – a future-oriented step towards intuitive human-machine cooperation scenarios.

Project lead
Univ.-Prof. DI Marjan COLLETTI, MArch., PhD
Team
Andreas KÖRNER, Catalina TRIPOLT, Clara JASCHKE, Julian EDELMANN, Kilian BAUER, Mümün KESER, Oliver HAMEDINGER, Peter MASSIN, Theresa UITZ

in cooperation with: REX|LAB and a generous support from: Architektur Werkstätte Universität Innsbruck .hochbau

Funded by FWF Der Wissenschaftsfonds
www.fwf.ac.at/de/

Universität Innsbruck
Institut für experimentelle Architektur.Hochbau

24/11/2022

PD
NB

Postdigital Neobaroque is a research project, funded by the Austrian Science Fund (FWF) and led by Professor Marjan Colletti at Universität Innsbruck - Institut für Experimentelle Architektur.

Research Team:
Prof. Marjan Colletti, Peter Massin, Andreas Körner, Theresa Uitz, Clara Jaschke

Logo Design: David Einwaller .einw

Paradigm shifts in architecture are not only reactive to changes in society but are proactive towards the production of cultural transformations such as the way we design, produce and place buildings into the environment. The project Post-Digital Neo-Baroque is an endeavour to provide evidence for the impact of a Neo-Baroque mentality and style across various disciplines that have reached a Post-Digital state of affairs.
By drawing inspiration from, and founding its research on, both Heinrich Wölfflin’s seminal work Principles of Art History and Omar Calabrese’s hypothesis outlined in Neo-Baroque: A Sign of Our Time, the team embark on a transdisciplinary, transcultural and transhistorical investigation in theory and design of the spirit of our age that pervades many of today’s cultural phenomena in all fields of knowledge. One of the most intriguing questions of the current architectural and artistic discourse is in fact the potential reconciliation of two seeming opposites in the contemporary architectural discourse – digital design and the physical environment of traditional technology, crafts and aesthetics.
By additionally including the Baroque notion of “Gesamtkunstwerk”, the project aims to converge the digital, the physical and the virtual to generate innovative artistic and architectural design output. The findings will be showcased in a public exhibition, discussed in an international symposium and published in a three-volume compendium including a reader documenting theoretical findings, an exhibition catalogue and the conference proceedings.
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18/11/2022

MEET THE KEYNOTES OF THE TRAITS OF POSTDIGITAL NEOBAROQUE CONFERENCE 2022

Friday 9th December 2022
Being Post-Digital

PROF. MARIO CARPO
Mario Carpo is Reyner Banham Professor of Architectural History and Theory at Bartlett, University College London and Professor of Architectural Theory at Die Angewandte (University of Applied Arts) in Vienna. Carpo's research and publications focus on the relationship among architectural theory, cultural history, and the history of media and design technologies. His Architecture in the Age of Printing (2001) has been translated into several languages. His most recent books are The Second Digital Turn: Design Beyond Intelligence (2017), The Alphabet and the Algorithm, (2011); and The Digital Turn in Architecture, 1992-2012, an AD Reader. His next book, Beyond Digital: Design and Automation at the End of Modernity, is forthcoming next spring.

MEET Mario Carpo (online)on Friday 9th December 2022 at TRAITS 2022 in Obergurgl.

17/11/2022

MEET THE KEYNOTES OF THE TRAITS OF POSTDIGITAL NEOBAROQUE CONFERENCE 2022

Thursday 8th December 2022
The Postdigital, the Neo-baroque and the Bel Composto:
from the Visual Effects of The Lion King to the Baroque Deconstructions
of Davide Quayola

PROF. ANGELA NDALIANIS
Angela Ndalianis is Professor of Media and Entertainment and co-Director of the Centre for Transformative Media Technologies at Swinburne University of Technology. She researches entertainment culture, the history and interconnectedness of media technologies past and present, and how they mediate our experience of the world around us; and genre studies, with expertise on the science-fiction, superhero and horror genres.
She is also interested in the transhistorical and transcultural manifestation of the baroque, particularly in relation to the neo-baroque.

MEET Angela Ndalianis on Thursday 8th December 2022 at TRAITS 2022 in Obergurgl.

09/11/2022

TRAITS of Postdigital Neobaroque Conference 2022

The conference is planned in person, pending further sanitary measures.
It will take place at the Universitycenter Obergurgl, a one-and-a-half-hour drive from Innsbruck (see the point Shuttle).
A detailed programme will be provided at a later stage, but we want to ensure much time for discussions.
The Postdigital Neobaroque Reception and Exhibition Opening is planned for the 06.12.2022 at the Fac-ulty of Architecture in Innsbruck, one day prior to the Conference.
You are cordially welcome.

Get your conference ticket here:
https://my.forms.app/traits-conference2022/registrationform-visitors

22/06/2022

TEST

28/03/2022

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CALL FOR ABSTRACTS - extended deadline: April 8th, 2022

International conference,
8th-9th December 2022, Obergurgl, Austria

TRAITS 2022 Call for Abstracts invites investigations of the intersection of postdigital and neobaroque. It asks contributors to reflect upon the interlinkage between the two terms and to find individual, open interpretations. Research has shown that there is no agreement on a common aesthetic canon given by the neobaroque and the postdigital paradigms: in architecture, for example, one post-digital trajectory aims at static, simple, 2D flat collages, whilst the other points to dynamic, complex, 4D animated computational systems. The conference addresses the latter and hopes to create a platform for like-minded theorists and artists to exchange ideas and visions and to discover each other’s work. The aim is to collect a broad spectrum of contributions to trigger a discourse on contemporary design and theory. Submissions by multidisciplinary teams and collaborations are strongly encouraged.

Submit by April 8, 2022.
https://tinyurl.com/TRAITS2022

Post-Digital Neo-Baroque

13/12/2022

13/12/2022

10/12/2022

09/12/2022

25/11/2022

24/11/2022

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18/11/2022

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22/06/2022

28/03/2022

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