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Diamond Schmitt Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Diamond Schmitt, Architectural Designer, 384 Adelaide Street W, Toronto, ON.

Diamond Schmitt is a global architecture firm designing transformative, purpose-driven, and highly sustainable buildings from its three studios located in New York, Toronto, Calgary and Vancouver.

York University Markham Campus has received a 2026 Architecture MasterPrize Honourable Mention!Fostering collaboration, ...
10/23/2026

York University Markham Campus has received a 2026 Architecture MasterPrize Honourable Mention!

Fostering collaboration, accessibility, and cross-disciplinary exchange, the building reimagines the urban academic environment as a vibrant setting where learning and interaction extend beyond the classroom.

The 10-storey, LEED Gold-certified building turns the constraints of a compact urban site into opportunities for connection, defining a collegial academic community through a series of vertically connected, multi-storey spaces. Flexible learning spaces are organized around an interconnected atrium, an animated crossroads of learning and student engagement.

Congratulations to the design team and project partners on this recognition, which celebrates design excellence from around the world.

Learn more: https://dsai.ca/news/york-u-markham-campus-receives-2026-architecture-masterprize-honourable-mention/

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Diamond Schmitt’s vision for the Vancouver Cultural Precinct is featured in The Globe and Mail, in an article by Wallace...
10/22/2026

Diamond Schmitt’s vision for the Vancouver Cultural Precinct is featured in The Globe and Mail, in an article by Wallace Immen highlighting a proposal to address the city’s pressing need for purpose-built performance venues, create new opportunities for artists and audiences, and strengthen Vancouver’s cultural infrastructure.

Led by the Vancouver Concert Hall and Theatre Society and shaped by consultations with 32 performing arts organizations, the proposed precinct envisions four performance halls with a combined capacity of approximately 5,000 seats, supporting more ambitious productions, diverse programming and new opportunities for artistic collaboration.

Beyond providing performance space, the vision seeks to create a vibrant cultural destination that connects artists, audiences and communities. With potential locations in downtown Vancouver offering access to transit, opportunities for public amenities and connections to surrounding neighbourhoods, the precinct could extend cultural activity into the public realm and everyday city life.

Discover more about the vision for the Vancouver Cultural Precinct and read the full story: https://dsai.ca/news/the-globe-and-mail-vision-unveiled-to-tackle-lack-of-performance-space-in-vancouver/?utm_source=fbtonewspage&utm_medium=globeandmailvancouverculturalprecinct1026&utm_id=1026

Libraries have evolved beyond places organized around book collections and individual study—once insular, inward-looking...
10/20/2026

Libraries have evolved beyond places organized around book collections and individual study—once insular, inward-looking—towards more open civic environments designed around access, engagement, and public life.

Architecture is central to this transformation. Welcoming, accessible, and adaptable spaces encourage a balance of focus and participation, support diverse activities, and help libraries remain relevant as the needs of their communities change.

Our latest Explorations, “Designing the library as an open book,” Principal Gary McCluskie explores this shift across Diamond Schmitt’s library designs—including Toronto’s York Woods Library and North York Central Library, the new Guelph Central Library, and Ādisōke in Ottawa—and how the contemporary library is not replacing solitude with sociability. It’s making room for both.

Read the full Explorations: https://dsai.ca/explorations/designing-the-library-as-an-open-book/?utm_source=facebooktoexplorations&utm_medium=designinglibraryopenbook&utm_id=1026

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Tor...
10/16/2026

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Toronto’s cultural and architectural landscape.

In a The Toronto Star article, author Michael Crabb revisits the determination of former Canadian Opera Company General Director Richard Bradshaw to establish a permanent, world-class home for the organization, reflecting on the vision, perseverance, and collaboration that transformed a cultural ambition into a civic landmark.

Central to realizing this vision was the design leadership of Diamond Schmitt’s founding Principal, Jack Diamond, whose architectural approach recognized that a great opera house must do more than provide an exceptional setting for performance. It must enrich the experience of artists and audiences while contributing meaningfully to the life of the city.

“And despite all the criticism, in its modest, restrained way Diamond’s design, with its University Avenue-facing glass façade, sits well in its location. At night, when all lit up, it looks like a glittering jewel box with Diamond’s breathtaking ‘floating’ glass staircase clearly visible from the street,” writes Crabb.

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Tor...
10/16/2026

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Toronto’s cultural and architectural landscape.

In a The Toronto Star article, author Michael Crabb revisits the determination of former Canadian Opera Company General Director Richard Bradshaw to establish a permanent, world-class home for the organization, reflecting on the vision, perseverance, and collaboration that transformed a cultural ambition into a civic landmark.

Central to realizing this vision was the design leadership of Diamond Schmitt’s founding Principal, Jack Diamond, whose architectural approach recognized that a great opera house must do more than provide an exceptional setting for performance. It must enrich the experience of artists and audiences while contributing meaningfully to the life of the city.

“And despite all the criticism, in its modest, restrained way Diamond’s design, with its University Avenue-facing glass façade, sits well in its location. At night, when all lit up, it looks like a glittering jewel box with Diamond’s breathtaking ‘floating’ glass staircase clearly visible from the street,” writes Crabb.

Read the full article: https://www.thestar.com/entertainment/stage/four-seasons/article_2e3bdd02-def6-4666-8c92-852c8ba70989.html

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Tor...
10/16/2026

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Toronto’s cultural and architectural landscape.

In The Toronto Star article, author Michael Crabb revisits the determination of former Canadian Opera Company General Director Richard Bradshaw to establish a permanent, world-class home for the organization, reflecting on the vision, perseverance, and collaboration that transformed a cultural ambition into a civic landmark.

Central to realizing this vision was the design leadership of Diamond Schmitt’s founding Principal, Jack Diamond, whose architectural approach recognized that a great opera house must do more than provide an exceptional setting for performance. It must enrich the experience of artists and audiences while contributing meaningfully to the life of the city.

“And despite all the criticism, in its modest, restrained way Diamond’s design, with its University Avenue-facing glass façade, sits well in its location. At night, when all lit up, it looks like a glittering jewel box with Diamond’s breathtaking ‘floating’ glass staircase clearly visible from the street,” writes Crabb.

Read the full article: https://www.thestar.com/entertainment/stage/four-seasons/article_2e3bdd02-def6-4666-8c92-852c8ba70989.html

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Tor...
10/16/2026

Twenty years after opening its doors, the Four Seasons Centre for the Performing Arts remains a defining presence in Toronto’s cultural and architectural landscape.

In The Toronto Star article, author Michael Crabb revisits the determination of former Canadian Opera Company General Director Richard Bradshaw to establish a permanent, world-class home for the organization, reflecting on the vision, perseverance, and collaboration that transformed a cultural ambition into a civic landmark.

Central to realizing this vision was the design leadership of Diamond Schmitt’s founding Principal, Jack Diamond, whose architectural approach recognized that a great opera house must do more than provide an exceptional setting for performance. It must enrich the experience of artists and audiences while contributing meaningfully to the life of the city.

“And despite all the criticism, in its modest, restrained way Diamond’s design, with its University Avenue-facing glass façade, sits well in its location. At night, when all lit up, it looks like a glittering jewel box with Diamond’s breathtaking ‘floating’ glass staircase clearly visible from the street,” writes Crabb.

Read the full article: https://www.thestar.com/entertainment/stage/four-seasons/article_2e3bdd02-def6-4666-8c92-852c8ba70989.html

Address

384 Adelaide Street W
Toronto, ON
M5V1R7

Opening Hours

Monday 9am - 6pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm

Telephone

+14168628800

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