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Mesura

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Mesura is a model for creativity. We believe in exceeding the expectations of all of our clients. Our goal is to help them achieve excellence.

We meet durable creative solutions first by stepping into the unknown, then by reimagining the ways architecture and design are practiced.

21/10/2026

These images are part of the research “The ilusion of ascent”, developed for Hermés Escalera Infinita.

(01) Architect unknown, The Concrete Diving Tower at Strandbad Friedrichshafen, Lake Constance (Bodensee), Germany, 1930.

(01) Architect unknown, The Concrete Diving Tower at Strandbad Friedrichshafen, Lake Constance (Bodensee), Germany, 1930.

(02) Kisa Kawakami. London, United Kingdom, 1986.

(03) Morozzo della Rocca, R. Staircase of the former Palazzo delle attività Liguri. Genoa, Italy, 1958.

(04) Bettmann, Gardeners Trimming the Bathurst Estate’s Yew Hedge. England, 1962.

(05) Unknown Source.

(06) Sam Szafran, Escalier (Staircase), part of the artist’s lifelong series exploring vertiginous interior architectures, Paris, France, 1972.

(07) Paolo Portoghesi, Centro Servizi Culturali (Sulmona Social Center), Sulmona, Italy, 1970.

(07) Paolo Portoghesi, Centro Servizi Culturali (Sulmona Social Center), Sulmona, Italy, 1970.

(08) Minoru Nomata, Decors 7, part of the pictorial series of imaginary landscapes and architectures, Tokyo, Japan, 1987.

(09) Enrico Prampolini, Stage Design for the Futurist Pavilion (Allestimento del Teatro Futurista Italiano), Rome, Italy, 1928.

(09) Otto F. Landauer (attributed), Construction of the Temporary Centennial Ski-Jump at Empire Stadium, Vancouver, Canada, 1958.

(09) Otto F. Landauer (attributed), Construction of the Temporary Centennial Ski-Jump at Empire Stadium, Vancouver, Canada, 1958.

(10) Toni Schneiders, Kopenhagen, Grundtvig Kirche, Copenhagen, Denmark, 1940.

(11) David Unemoto, Escultor, Architecture Brutalism Concrete 07.

(12) Architect unknown, Northeast Corner of the Great Pyramid of Giza. Giza Plateau, Egypt, 2560 BC.

21/10/2026

These images are part of the research “The ilusion of ascent”, developed for “Hermés Escalera Infinita”.

(01) Architect unknown, The Concrete Diving Tower at Strandbad Friedrichshafen, Lake Constance (Bodensee), Germany, 1930.

(01) Architect unknown, The Concrete Diving Tower at Strandbad Friedrichshafen, Lake Constance (Bodensee), Germany, 1930.

(02) Kisa Kawakami. Plus Minus Box. London, United Kingdom, 1986.

(03) Morozzo della Rocca, R. Staircase of the former Palazzo delle attività Liguri. Genoa, Italy, 1958.

(04) Bettmann, Gardeners Trimming the Bathurst Estate’s Yew Hedge. England, 1962.

(05) Unknown Source.

(06) Sam Szafran, Escalier (Staircase), part of the artist’s lifelong series exploring vertiginous interior architectures, Paris, France, 1972.

(07) Paolo Portoghesi, Centro Servizi Culturali (Sulmona Social Center), Sulmona, Italy, 1970.

(07) Paolo Portoghesi, Centro Servizi Culturali (Sulmona Social Center), Sulmona, Italy, 1970.

(08) Minoru Nomata, Decors 7, part of the pictorial series of imaginary landscapes and architectures, Tokyo, Japan, 1987.

(09) Enrico Prampolini, Stage Design for the Futurist Pavilion (Allestimento del Teatro Futurista Italiano), Rome, Italy, 1928.

(09) Otto F. Landauer (attributed), Construction of the Temporary Centennial Ski-Jump at Empire Stadium, Vancouver, Canada, 1958.

(09) Otto F. Landauer (attributed), Construction of the Temporary Centennial Ski-Jump at Empire Stadium, Vancouver, Canada, 1958.

(10) Toni Schneiders, Kopenhagen, Grundtvig Kirche, Copenhagen, Denmark, 1940.

(11) David Unemoto, Escultor, Architecture Brutalism Concrete 07.

(12) Architect unknown, Northeast Corner of the Great Pyramid of Giza. Giza Plateau, Egypt, 2560 BC.

01/10/2026

presents for Hermès Escalera Infinita, an artist window conceived within the theme of “L’Appel du Large”, an invitation to travel towards the unknown.

Two monumental staircases transform the space at Passeig de Gràcia 81 into a continuous journey, where perspectives shift and the boundaries between architecture and perception begin to dissolve.

The project draws on the impossible geometries of M.C. Escher, the architectural language of Aldo Rossi, and the balance and proportion of Andrea Palladio.

The project also explores the transition from plaster to wood, translating the tactile qualities of the materials into a continuous architectural language.

The staircase becomes both a physical passage and a metaphor for discovery, inviting visitors to move beyond the familiar.

On view at Hermès Barcelona until 28 November 2026.

10/09/2026

A reinterpretation of the traditional Catalan vaulted ceiling in varnished okoumé plywood.

Tradition becomes a reference for a contemporary expression in wood. Curved and flat plywood panels follow the geometry of the vault.

A ceiling conceived as a necessary element for the functionality of the space, shaping the form of the Catalan boat to preserve every volume of empty space.

03/09/2026

FOREVER STUDIO | SOLO EXHIBITION

Developed through the studio’s ongoing Summer Archives, the exhibition introduced a new body of work exploring light, materiality and atmosphere through resin, lacquered metal and sculptural forms.

Conceived as a spatial intervention, the presentation unfolded in direct dialogue with the domestic architecture of the gallery designed by Mesura.

A look back at the exhibition, previously on view at VASTO until July, 2026.

Photography by Cecilia Díaz Betz Cecilia Díaz Betz

25/08/2026

Through model making, ideas become tangible. Proportions are tested and relationships explored. It is an essential part of the design process. Our Model Makers work alongside each project as it develops, helping us refine ideas along the way.

A model will soon be on view in Barcelona as part of an initiative marking the World Capital of Architecture and the European Capital of Local Commerce.

Photography by Armin Tehrani armin tehrani

20/08/2026

Our intervention at Casa Batlló Contemporary extends beyond the architecture itself. The ceiling we designed becomes a defining element of the space, now entering into dialogue with a new exhibition.

Casa Batlló Contemporary presents Gaudí – Miró – Gomis: Deconstructed, an exhibition co-organized with Fundació Joan Miró, Barcelona.

Original works by Joan Miró, Joaquim Gomis’ photographic record of Gaudí’s architecture and a contemporary video produced by TomorrowBureau come together within the space, creating a new conversation between architecture, art and image.

Fundació Joan Miró, Barcelona / ©️ Successió Miró, 2026 / ©️ Hereus de Joaquim Gomis / Tomorrow Bureau, 2026.

18/08/2026

Atelier LC under construction.

A glimpse into the making of the house as its architectural volumes begin to emerge

06/08/2026

Grateful to FRAME and for recognising Casa Balma Murada with an Honourable Mention in the July FRAME Awards 2026.

Dirección

Carrer De Gomis, 34
Barcelona
08023

Horario de apertura

Lunes	09:00 - 18:30
Martes	09:00 - 18:30
Miércoles	09:00 - 18:30
Jueves	09:00 - 18:30
Viernes	08:00 - 15:00

Teléfono

+34934672190

Página web

http://www.mesura.eu/

Notificaciones

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