AD Studio9

Directions Website Contact the business

AD Studio9 Creating solutions that are simple and practical is the essence of our design.

05/10/2026

Architecture is rarely about just the building.

It is about understanding the site, responding to its context, working through constraints, questioning decisions, and finding better ways to make spaces work.

And behind every finished project are hundreds of conversations, revisions, drawings, site visits, calculations, and, of course, the occasional “one last change.”

This World Architecture Day, we celebrate the process as much as the architecture — the people, ideas, systems and decisions that shape the spaces we live and work in.

Happy World Architecture Day from AD Studio9.

.studio9

03/10/2026

Setting up a process for understanding timelines and structure at a design studio.

At AD Studio9, every project begins with understanding what needs to happen before deciding how it should happen.

From site context and design development to drawings, material decisions, coordination and ex*****on, each stage has a defined role within the larger process. Establishing timelines early allows the design team to coordinate dependencies, anticipate decisions and maintain clarity through the project lifecycle.

A structured process doesn’t restrict design. It creates the framework within which better design decisions can happen—with greater control over time, resources and ex*****on.

ArchitectureProcess DesignStudio ArchitecturalPractice InteriorArchitecture ProjectManagement DesignDevelopment ArchitectureAndDesign BuiltEnvironment BangaloreArchitecture BangaloreDesign IndianArchitecture IndianDesign ArchitectureStudio DesignThinking

Design: AD Studio9 Apoorva Lekha Gandharv Krishna
Ekatva Grid
Video : Shruthi Basavaraj

02/10/2026

For this lawyers’ office, the planning began with an understanding of its urban context — the movement of traffic around the site, the surrounding built fabric, the points of access and the relationship between the office and the city outside.

These external conditions informed how the interior was organised. Areas that require greater privacy and concentration are positioned away from the more active edges, while circulation and shared functions establish a transition between the public and private zones.

The existing structural system, including the location of columns, then became another layer of the planning process. Instead of treating these elements as constraints, the layout works around them to establish clear functional zones and efficient movement through the office.

Green pockets are introduced within this framework, bringing landscape into the plan and creating visual and spatial relief from the density of the workplace.

The resulting floor plan is therefore not simply a distribution of rooms. It is a response to the site, its urban conditions, structure, movement and the way people experience the workplace.

Designed by: .studio9
Design:

30/09/2026

Designing a commercial space is not just about creating an environment that looks good. It is about understanding how the business works — and translating that understanding into space.

At Kara, one of the key learnings was that the design of a material experience centre has to support both discovery and decision-making.

The space needs to allow customers to explore different materials, understand their applications and move through the experience without feeling overwhelmed. That meant thinking carefully about visibility, segregation, circulation and the relationship between different display zones.

The challenge was to create a space where the entire collection could feel connected, while still giving every material its own identity.

This is where commercial design becomes closely connected to business strategy. The way products are displayed influences how they are perceived. The way people move through the space influences what they notice. And the way information is organised can directly affect how easily a customer makes a decision.

For us, the learning from Kara was clear: good commercial design is not designed around the space alone. It is designed around the business, the product and the people experiencing it.

Designed by .studio9
Project:
PMC: .grid
Photography:
Video : .in.the.ocean

26/09/2026

At Kara, the planning strategy was developed around two requirements: maintaining visual connectivity across the showroom while creating clear zones for each material category.

The open layout allows the entire space to remain visually connected, while the placement of each display zone establishes a clear hierarchy and makes navigation through the showroom intuitive.

The segregation is particularly important in a material-driven space. Veneers, laminates, acrylics and other surface collections each have defined areas, allowing the visitor to move through the showroom systematically without compromising the overall openness of the plan.

At the rear, the landscape is integrated as part of the site’s water management strategy. The permeable landscape allows water to seep into the ground, creating a functional relationship between the built and unbuilt areas.

These decisions are not independent elements. They form part of the larger planning strategy — balancing circulation, material display, visibility and site response within a single commercial environment.

Design: .studio9 ,
Ex*****on:
Video:

*****on

25/09/2026

Designing a commercial space is rarely about adding more. It is about deciding what deserves attention.
At Kara, the design process began with a narrow, party-walled site, harsh western light, and one clear brief: no glass façade.
Instead of treating these as limitations, the design team used them to establish the architectural language of the project.

The terracotta jali became more than a façade. It filters harsh light, allows the building to breathe, creates privacy, and establishes Kara’s material identity from the street. The existing rain tree was retained and became an integral part of the arrival experience.

Inside, the same thinking continues through the smallest details. The concentric Rosso marble inlay at reception defines a moment of pause. The custom veneer desk demonstrates the material language of the showroom. The oval skylight brings controlled natural light into a building surrounded by party walls, while the central landscape creates a visual anchor within the long display hall.

Even the material library is designed differently. Charred timber and controlled lighting create a darker environment where acrylics and laminates become the source of visual focus.

For a commercial space, every detail has to perform more than one function — it has to respond to the site, support movement, communicate the brand, and contribute to the overall experience.

At Kara, the architecture itself becomes part of the product story.

Kara — Veneer Boutique Showroom
Rampura, Bengaluru | 6,000 sq.ft.

Project:
Design: .studio9
PMC: .grid
Photography:
Video : .in.the.ocean

The terrace becomes an extension of the home’s social spaces, creating an open setting for gathering, conversation and e...
24/09/2026

The terrace becomes an extension of the home’s social spaces, creating an open setting for gathering, conversation and everyday use.

A lightweight roof structure defines the outdoor room while retaining its connection to the open sky. The patterned flooring establishes a visual base for the seating arrangement, while the perforated screen introduces privacy without completely closing the space off.

Planting is integrated across the edges and screen, softening the built elements and creating a layered relationship between structure, landscape and occupation.

Rather than functioning simply as a terrace, the space is designed as an outdoor room one that allows the family to inhabit the architecture beyond its enclosed walls.

Design: .studio9
Ex*****on: .grid
Project: Mathrukrupa

The bedroom introduces a more expressive layer through a large-scale mural that occupies the wall behind the bed.The art...
24/09/2026

The bedroom introduces a more expressive layer through a large-scale mural that occupies the wall behind the bed.

The artwork becomes an extension of the room’s architecture, working alongside the blue wardrobe and natural timber bed to establish a strong colour and material composition. The restrained furniture allows the mural to remain the primary visual surface, while smaller details such as the integrated bedside ledge and timber railing bring functionality into the composition.

Here, art, furniture and architecture are treated as one continuous interior language, giving the bedroom a more personal and immersive character.

Design: .studio9
Ex*****on: .grid
Project: Mathrukrupa

A bedroom where materiality is kept restrained, allowing texture and detailing to establish the character of the space.T...
24/09/2026

A bedroom where materiality is kept restrained, allowing texture and detailing to establish the character of the space.

The cane headboard introduces a tactile layer against the muted wall, while the timber and black framing create a sharper architectural edge. The patterned cushions bring a controlled contrast to the otherwise neutral palette, and the layered roller blind allows the window to be modulated according to light and privacy.

The detailing remains simple, but the combination of cane, timber, fabric, warm lighting and muted tones gives the room a sense of depth without relying on excessive ornamentation.

Design: .studio9
Ex*****on: .grid
Project: Mathrukrupa

23/09/2026

Tropical Modernism is often associated with its response to climate, but its spatial experience is equally shaped by how architecture controls our relationship with the outside.

One of its most interesting principles is the idea of blocking and revealing. Instead of exposing the entire landscape at once, the architecture carefully decides what should remain concealed and what should be brought into view. Walls, screens, volumes and smaller enclosed spaces create a sense of protection, while strategically placed openings reconnect these spaces with the landscape beyond.

This creates a feeling of safety within smaller, more intimate spaces without making them feel isolated. A person can retreat into a sheltered corner while still having access to a framed view of the garden, the sky or the changing light outside.

The experience therefore moves between enclosure and openness. The built form creates moments of pause and refuge, and the openings provide moments of connection and visual release.

This balance is particularly important in tropical environments, where openness needs to be moderated through shade, privacy and protection from the elements. Rather than treating the landscape as something that must simply be seen, the architecture uses it as something that can be gradually revealed.

Tropical Modernism, in this sense, becomes an exercise in controlling perception. It creates spaces that feel secure because they are enclosed, yet expansive because they remain visually connected to the world outside.

The result is not a complete separation between indoors and outdoors, but a carefully calibrated relationship between the two.

Project:
Design: .studio9
PMC: .grid
Video: .in.the.ocean

Address

Gopala Krishna Complex 45/3, Residency Road, , MG Road
Bangalore
560025

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm

Website

Alerts

Be the first to know and let us send you an email when AD Studio9 posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to AD Studio9:

Shortcuts

Share

Category