04/06/2026
This is what it looks like when nothing — not the art, not the furniture, not the light — was an afterthought.
Rammed earth, Kadappa stone in dark grey, Mandana stone in deep maroon, oak timber, matte cemento. A material language that begins at the site and doesn’t shift once you’re inside. The threshold is a change in atmosphere, not character.
The art was curated alongside the architecture by Nalini Aurora, not after. Twenty antique wooden plaques from a 200-year-old chariot anchor the main wall. Karnataka jharokhas reframe shadow as ornament. Heritage pieces sit beside contemporary Indian artists including Farhan Mujeeb, G. Raman, P.R. Narvekar and Basuki Dasgupta, each chosen for how it holds the same emotional register as the rooms around it.
Every piece of furniture was designed in-house by groupDCA. Kadappa stone reappears in the furniture itself, tying individual pieces back to the walls, the floors, the whole. Nothing was sourced to fill a room. Everything was made to complete one.
Barkat by the Lake, Abohar, Punjab. Full project coming soon.
Design by earth construction in collaboration with , photographed by Niveditaa Gupta