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Fanusta is a tech-enabled turnkey interior design brand that combines modern technology with traditional craftsmanship to create distinctive, personalized spaces for residential and commercial clients.

Indian interior design is officially having a comeback momentFor years, minimalism told us less is more. Beige walls, cl...
19/08/2026

Indian interior design is officially having a comeback moment

For years, minimalism told us less is more. Beige walls, clean lines, nothing too personal or too loud. It worked, until homes started feeling like hotel rooms.

What we are seeing across almost every project at Fanusta right now is a hunger for warmth again. Clients want jaali screens instead of glass partitions. They want hand carved consoles, painted archways, brass details that catch the evening light.

This is not happening because heritage design is trending on Instagram, though it certainly is. It is happening because these elements hold memory in a way flat white walls simply cannot.

Craft is doing the heavy lifting in this shift. A handmade cane panel or a block printed cushion carries the imperfection of a human hand, and that imperfection is exactly what makes a home feel lived in rather than staged.

We do not think this is about going backward. It is about letting the arches, the jaalis, the carved wood and the textiles of Indian design sit comfortably next to a clean modern layout. Roots and simplicity were never opposites. They just needed reintroducing.

Swipe through and tell us, which slide made you go for it as well?

Indian design heritage has never needed reinvention. It has been carried forward by hand, one careful movement at a time...
15/08/2026

Indian design heritage has never needed reinvention. It has been carried forward by hand, one careful movement at a time, from a bamboo weave to a spinning clay pot to a chisel finding its rhythm on wood.

On India’s 80th Independence Day, Fanusta pays tribute to the techniques, arches, art and artisans that have quietly shaped how this country builds and lives. Swipe through to see design vocabulary that predates every trend we now call modern.



Indian arches carry more history than most buildings ever will. The scalloped sandstone arch belongs to Rajput architecture, built for shade and grandeur in equal measure.

The marble jaali arch is pure Mughal restraint, its floral inlay filtering light instead of blocking it. And the deep green mosaic arch shows how colour itself became structural, layered in glass and stone until the opening felt like a doorway into a garden.

Indian crafts survive because the hand remembers what machines cannot replicate. A potter’s fingers read the clay in real time, shaping a wall thickness no mould could match.

Blue pottery painting is equally exacting, each floral motif drawn freehand in cobalt before a single layer of glaze goes on. Cane and reed weaving finishes the story, turning raw stalks into baskets and furniture through nothing but pressure and pattern.

Indian art has always mixed devotion with detail. This Pichwai style painting of Krishna surrounded by celestial figures is built from thousands of tiny brushstrokes, a form still practiced around Nathdwara today.

Mirror work inlay turns a plain wall into something that catches light from every angle, a technique long used to brighten havelis before electricity existed. The miniature painting beside it, a woman lost in the music of a traditional string instrument, is a reminder that Indian art was never only religious. It also painted quiet, ordinary moments.

Indian design techniques are built on precision most people never see. Stone inlay work, cutting marble and sandstone into interlocking floral shapes, can take a single artisan days to complete one panel.

Gesso relief carving

13/08/2026

This is Melody Meadow, music room at Daffodils World School , Sikar, and it started as the empty, dark room you see in the first half of this video.

The stage came first, because every music room deserves one. Not as a formal performance structure but as a signal to a child that this space belongs to them and their voice matters here. We framed it in teal with hand painted floral vines, hung full drape curtains, and let earthy brown carpet and LED underglow do the rest. The Stella Adler quote on the back wall wasn’t an afterthought. It captures what the room was built to encourage: expression without inhibition.

The flower murals were painted entirely by hand. The daisy shaped ceiling lights solely to fit the name of the school “Daffodils”. Every design element had to feel like it belonged to that identity, right down to the ceiling. Instruments sit in open wooden shelves, cushions live in custom rolling trolleys, and children can rearrange the entire room into whatever formation the music session calls for that day.

No fixed rows. Just a space that moves with the child.

And this is how an empty dark room became its own world.

[A transformed school music room at Daffodils World School in Sikar featuring a teal theatre stage with velvet curtains, hand painted flower murals, daisy shaped ceiling lights, musical note wall art, a Stella Adler quote panel, and custom wooden cushion trolleys, designed and executed by Fanusta.]

09/08/2026

Ep. 03: India Before Minimalism - Jaali

Jaali architecture is proof that Indian design was solving climate problems long before the phrase passive cooling ever existed.

We think jaalis get filed under traditional decoration far too often, when really, every perforated screen is a piece of functional engineering. The pattern was never just about beauty, it controlled airflow, filtered harsh sunlight and gave privacy, all at once, without a single moving part or a single watt of electricity.

What makes jaali design even more interesting to us is that India wasn’t working in isolation. Similar perforated screens developed independently across Persia, the Middle East and North Africa, different cultures arriving at the same clever solution to the same hot climate problem. That kind of convergence usually means the idea was simply too good to ignore.

Modern architects clearly agree. Jaali inspired facades are showing up again in steel, concrete and terracotta, proof that this isn’t nostalgia, it’s genuinely good building science that got sidelined by glass and air conditioning for a while.

Tell us in the comments, would a jaali screen work for your space ?

08/08/2026

Hospitality interior design isn’t about making a space look expensive. It’s about making people want to stay longer.
At Lemon Tree Suites, Gurugram, this recreational floor was designed to become the part of the hotel guests remember most.

Every element had a purpose.

The custom furniture.
The games area.
The exposed brick wall.
The shelving.
The lighting.
The finishes.

None of them compete for attention.
They work together to create an experience.

But great hospitality spaces aren’t built during the design presentation.
They’re built during ex*****on.

Matching finishes across hundreds of components.
Perfect furniture alignment.
Precision in every installation.
Consistency across every corner.

Because guests may never notice every detail individually.
But they’ll always remember how the space made them feel.

What’s one hotel space you’ve visited that you still remember today?

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04/08/2026

A mirror wall is one of the most underrated details in interior design. You do not fully register how much work it is doing until it disappears from the room. Suddenly you can see exactly how much visual weight that single surface was carrying all along.

There are really two ways to use a mirror in a space, and they sit at opposite ends of the same idea. One is the disappearing act, where mirror paneling echoes a window grid or blends quietly into a wall so the room feels brighter and less boxed in. The other has no interest in blending in at all, an ornately framed mirror in a foyer that instantly becomes the first thing anyone notices walking through the door.

Both are doing the same job in the end. They borrow light and depth that were never actually part of the room’s real dimensions and hand it back as scale. Once you notice how deliberately a mirror gets placed against a window or behind a bar, it stops looking like decor and starts looking like architecture.

If your dining room, foyer, or bar nook feels flat or a little too boxed in, this is one of the simplest design moves worth testing before you change anything else about the space. Where would you use a mirror like this in your own home?

02/08/2026

Ep. 02: India Before Minimalism - Athangudi Tiles

Not being able to import something has never really stopped Indian craftsmen, and Athangudi tiles are proof of exactly that.

Walk into an old Chettinad home and the floor is usually the first thing that stops you, long before you notice the furniture or the walls. This is traditional Indian flooring at its boldest, bold florals, sharp geometric borders and colours that feel handmade because they are, made from pigmented cement, local sand and metal moulds, cured slowly in water instead of a kiln.

That’s the part we love most as designers. Because they are hand crafted, the tiny imperfections that would get rejected on a factory line become the entire personality of the floor instead, that inconsistency is exactly what gives a floor this kind of character.

As cheaper, faster ceramic and vitrified tiles took over Indian homes, this slower, handmade craft nearly disappeared, like so many other traditional crafts across India. It’s taken more than a century, but Athangudi tiles are finally having their moment again. Not as a nostalgic throwback, but as a genuinely sustainable alternative to mass produced flooring, handmade, locally sourced and cured without ever needing a kiln or electricity.

Tell us in the comments, would you use a floor this bold in your own home?

31/07/2026

There are 14 lakh Aanganwadi centres across India. Fourteen lakh spaces where children between one and five years old spend the most critical years of their lives. And most of them have never had a single decision made with these children in mind. That number doesn’t leave you once you really sit with it.

When we visited this Aanganwadi for the first time, we found our brief by observing these children. And what we saw stayed with us long after we left. Children who couldn’t read or write yet, spending five to six hours every single day inside a room that had nothing to offer them, as if that place had given up on them.

That observation became our brief.

Ten years of designing learning environments told us exactly what needed to happen. A child this age doesn’t learn by sitting still. They learn through their hands, through colour, through discovery, through play. So we brought everything we knew into this space. The Learning Landscape mural designed in vibrant colours that build memory retention. “The Bolti Deewar Concept”, a sensory learning wall with custom built tools that teach through touch. Educational tiles that protected the walls while simultaneously teaching children through printed graphics. Every decision made around one question. What does this do for the child standing in front of it?

On inauguration day, we got our answer.

The children ran to the walls. The teachers walked in and stopped. Not because the space looked different, but because for the first time it felt like someone had genuinely thought about everyone who would spend their days inside it. That feeling, on those faces, was the only measure of success that ever mattered to us.

Aanganwadis in India have been built to a minimum standard for too long. Functional at best. Forgotten at worst. These children deserve so much more than the minimum. They deserve spaces that know they’re coming. Spaces designed around how they actually think, move, and grow.

And we’re proud to be the ones who finally set a new standard for how Aanganwadis should be built.

29/07/2026

Empty wall decor ideas often circle back to the same one or two solutions, when a single blank wall in a home actually holds a lot more potential than that.

Picture that same wall carrying one large scale abstract painting instead, in a warm palette of burnt sienna, ochre, and soft cream layered in broad sweeping brushwork. A piece at that scale does not just fill space, it gives the room a genuine focal point the moment anyone walks in.

Or picture a slim console table against it, with a large arched mirror hung above and a small vase of greenery finishing the surface. It adds both function and light to a wall that used to offer neither.

Floating shelves work just as well here, staggered at a few different heights and styled with a curated mix of books, small plants, and a few personal objects. It turns a flat wall into something that quietly tells a story about the people who live there.

There is also the option of a tall marble caryatid statue standing directly against the wall, a classical draped figure carrying real presence in a single piece. It gives an empty wall the kind of weight and drama that smaller decor on its own cannot really match.

And for something more personal, a gallery wall of framed family portraits arranged in a relaxed grid turns the same blank space into the most meaningful wall in the house. It rewards a second look every time, since there is always one more photograph to notice.

The bigger idea here is simple. An empty wall is never really empty, it is only waiting for the right decision, and the ones made with intention are usually the ones that make a house finally feel complete.

Suite Room and Twin Bed Room: Lemon Tree Suites, GurugramWe executed multiple room categories, including these Suite Roo...
27/07/2026

Suite Room and Twin Bed Room: Lemon Tree Suites, Gurugram

We executed multiple room categories, including these Suite Rooms and Twin Bedrooms, ensuring that every space was delivered with the same level of precision, finish, and craftsmanship.

From the upholstered seating, custom bed back panels, wardrobes, and kitchenette joinery to the stone surfaces, lighting integration, artwork installation, and furniture placement, every element was executed with meticulous attention to detail. The result is a seamless guest experience where every room, regardless of category, reflects the same standard of quality and refinement.

These large-scale hospitality projects demand far more than completing individual rooms. They require the ability to reproduce the same ex*****on standards across an entire property, maintaining consistency in finishes, alignment, proportions, material quality, and installation from one space to the next.

That is where ex*****on becomes the foundation of guest experience. When every detail is delivered with precision, guests may never notice the workmanship itself, but they will always remember how effortlessly the space feels.

We believe exceptional hospitality is built through disciplined ex*****on, because great design deserves an equally exceptional delivery.



[Carousel showcasing executed interiors at Lemon Tree Suites, Gurugram, featuring a suite room with a custom upholstered seating area, integrated kitchenette, warm wood finishes, and a king bed, alongside a twin bedroom with custom headboards, coordinated lighting, bespoke furniture, and consistent detailing across both room categories.]

Address

96, Officers Campus, Sirsi Road, Vaishali Nagar
Jaipur
302021

Opening Hours

Monday 10am - 7pm
Tuesday 10am - 7pm
Wednesday 10am - 7pm
Thursday 10am - 7pm
Friday 10am - 7pm
Saturday 10am - 7pm
Sunday 10am - 7pm

Telephone

+919765000056

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