K2India

Call Directions Website Contact the business

K2India It was established, as their brand, to bring all the design disciplines practiced by their various companies, under one umbrella.

Architecture • Interior Design • Furniture
A multi-disciplinary firm, constituted in 2010 by (Padma Shri, 1992) and
For more information visit www.k2india.com K2India is a New Delhi based multi–disciplinary design and architectural firm constituted, in 2010, by Sunita Kohli (Padma Shri, 1992) and her Pratt Institute educated architect daughter, Kohelika Kohli. These are ‘Kohelika Kohli Architects’ (est. 2004), the Architecture and Project Management cell of the company, known for its creative and contemporary buildings; ‘Sunita Kohli Interior Designs Pvt. Ltd.’ (est. 1972), the Interior Design cell of the company, research-based and concerned and sensitive to the physical context of a project and its cultural millieu; ‘Sunita Kohli & Co.’ (est. 1971), the Furniture Manufacturing cell of the company, whose range extends from the classical to the contemporary. K2India is driven by the pursuit of excellence and quality. They strongly believe that one’s surroundings directly influence the quality of one’s lives - whether in the work place, at home or the public spaces in between. Their approach is rooted in a firm belief that design is fundamental to improving the quality of life, and with an integrated and unified approach, it can become a total functional and living WORK OF ART. It is their endeavour to provide their clients with the most cutting-edge designs and cost-effective solutions of form and functionality. Internationally today, all major projects are driven by interior architecture and design, to their final architectural forms. These are the strengths of K2India. The company has been working on numerous turn-key projects. K2India has set up a highly qualified team that can undertake the design and execution of architectural, structural, MEP services, landscape, interior architectural and interior design projects, together with the manufacture of their own refined and customized furniture. They have successfully completed projects in several countries such as Egypt, England, Bhutan and Sri Lanka. The company specializes in the design of private residences, corporate offices, restaurants, gyms, hotels and resorts, luxury hotel boats and aircrafts; and the restoration of public buildings, forts, palaces and heritage properties. Some of their highly celebrated projects in New Delhi have been the restoration of many British period buildings – designed by Sir Edward Lutyens, Sir Herbert Baker and Sir Robert Tor Russell – notably Rashtrapati Bhawan, the Prime Minister’s Office and Official Residence, Hyderabad House, the bungalows of the Indira Gandhi Memorial Museum and the British Council Building and Library. They continue to creatively and successfully work on projects in India and a few outside the country. In 2014, K2India was given the Architectural Digest 50 Award.

Details — Khwabgah at the AravallisThe soul of Khwabgah lives in its details…..A suspended double-sided jhula sways gent...
03/06/2026

Details — Khwabgah at the Aravallis

The soul of Khwabgah lives in its details…..

A suspended double-sided jhula sways gently in the Verandah, its shadows trace the polished cement floor beneath. A petrified wooden block from Indonesia holds a simple but beautifully woven African basket of fruit — unpretentious and entirely at home. The openings frame the Aravalli landscape like live paintings, green and boundless beyond. A Flaming Trumpet Vine cascades overhead, composing its own seasonal artwork against stone and sky.

In several places inside, stone and wooden shelves hold brass and bronze vessels, flickering candles and terracotta objects with the ease of a home that has always known how to arrange beauty without effort. Iron candle stands, a 19th Century Awadhi basin and ewer in copper for washing hands, adds layers of craft and quiet tradition to every corner.

At Khwabgah, the details are not decorative afterthoughts and appendages — they are the architecture of everyday life, lived simply and deeply.

Photography:


                ,

[K2India, Koko by K2India, Architecture, Interior Design, Architecture & Design, Interior design, Modern architecture, Furniture, Furniture Design]

©️ All copyright and other Intellectual Property Rights in the image and its contents including but not limited to all trademarks, logos, graphics and its overall look belong to KOHELIKA KOHLI ARCHITECTS AND DESIGNERS PVT. LTD. (). Any unauthorised usage amounts to violation of our Intellectual Property Rights and will attract appropriate legal actions.

Materiality — Khwabgah at the AravallisIn every surface, a story….At Khwabgah, materiality is not a finish — it is a phi...
01/06/2026

Materiality — Khwabgah at the Aravallis

In every surface, a story….

At Khwabgah, materiality is not a finish — it is a philosophy. Every texture, every grain and every craft carries the memory of the land and the hands that have shaped it.

A screen made from rocks from different archaeological sites and enmeshed within black metal wire, woven jute, hand-loom dhurries, giant bean pods from a Brazilian rain forest bought in New York and placed on raw timber cross-sections — each material is chosen for its organic honesty and its rootedness in various craft traditions. Antique iron Awadhi sarotas — traditional Indian betel nut cutters — rest on an old wooden Nagaland trough alongside a small rocking horse. These are a quiet nod to the preferred quality of life lived within these walls.

Carved stone architectural elements from Tamil Nadu speak of a building culture passed down through generations. A chair seat, woven in natural rope, returns the eye to the simplest and most enduring forms of craft techniques.

Exposed pipe fittings covered in rope and set against raw cement, an iron sculpture by Gautam Bhatia placed in front of original Aravalli masonry, cobbled stone floors laid by hand — here, even the utilitarian becomes beautiful.

At Khwabgah, nothing is concealed. Everything is material. Everything is memory.

Photography:


                ,

[K2India, Koko by K2India, Architecture, Interior Design, Architecture & Design, Interior design, Modern architecture, Furniture, Furniture Design]

©️ All copyright and other Intellectual Property Rights in the image and its contents including but not limited to all trademarks, logos, graphics and its overall look belong to KOHELIKA KOHLI ARCHITECTS AND DESIGNERS PVT. LTD. (). Any unauthorised usage amounts to violation of our Intellectual Property Rights and will attract appropriate legal actions.

The Kitchen — Khwabgah at the AravallisIn this house, everyone cooks….. And so, the kitchen was designed to hold them al...
30/05/2026

The Kitchen — Khwabgah at the Aravallis

In this house, everyone cooks….. And so, the kitchen was designed to hold them all.

Raw charcoal cement walls, warm solid wood cabinetry and a hand-made deep teal pencil tile backsplash set the stage — industrial in its bones, deeply human in its warmth. Rising above the stove, a copper chimney hood, detailed in mild steel commands the room like a piece of quiet architecture — as much sculpture as function.

But it is the objects that tell the real story…..

The concrete grid shelving — built into the wall, cubby by cubby — holds a lifetime of collecting. Mardabans and pickle jars lined up in patient rows, waiting for the next season’s mango or lime crop. Terracotta dishes, wooden vessels and spoons brought back from Gujarat and Nagaland. Each piece has earned its place not through curation, but through use.

Antique Chinese and Northeast Indian hand-woven baskets are seen throughout the kitchen — gathered over years, carried across distances and now woven into the daily rhythm of this household.

On the granite countertop, three mortar and pestles sit side by side: a heavy bronze one from Tamil Nadu, a smooth marble one from a grandmother’s home in Dehradun and a rugged volcanic rock one for making guacamole from Mexico. Three generations, three geographies — all pressed into service on any ordinary evening.

This is a kitchen that does not perform. It simply lives warmly and with remarkable intention.

Photography:


                ,

[K2India, Koko by K2India, Architecture, Interior Design, Architecture & Design, Interior design, Modern architecture]

©️ All copyright and other Intellectual Property Rights in the image and its contents including but not limited to all trademarks, logos, graphics and its overall look belong to KOHELIKA KOHLI ARCHITECTS AND DESIGNERS PVT. LTD. ().

The Rear Verandah & Dipping Pool at Khwabgah at the AravallisThe Rear Verandah of Khwabgah is conceived as a generous in...
27/05/2026

The Rear Verandah & Dipping Pool at Khwabgah at the Aravallis

The Rear Verandah of Khwabgah is conceived as a generous indoor-outdoor living room area — deep, shaded and anchored by the tactile earthiness of a visually stunning terracotta panel. This artwork was crafted by a President awardee in this discipline.

This two-dimensional terracotta panel depicts daily village life. Its narrative is both ancient and modern.

A long and deep cement sofa is upholstered in white. The centre table is a composition of ancient teak trunks from Indonesia together with an antique parath from Gujarat.

On one side of the sofa arrangement is the dining table. Its tablescape is composed of elements from many countries – table mats woven in Bhutan, ceramic luncheon plates, tableware from Bali and a central basket from Africa. The dining chairs and two occasional chairs are constructed from dark stained teakwood; the dining chairs are woven with natural coloured rope and the armchairs with natural jute. On the wall, a section of a tree trunk forms an organic wooden sculpture. On the ledge below is a nineteen century Islamic aftaba in copper. On the other side is a rare cast iron angeethi . This was another serendipitous kabariwala find.

At the other end of the verandah, is a custom-designed double sofa swing, hung from specially woven steel ropes. One sofa faces inwards, towards the verandah seating; the other sofa overlooks lush farmland.

From the stone gargoyles, iron chains direct rainwater into the howdis below….. vertical lines of architectural poetry. Frangipani trees cast dappled shadows across the dark stone floor.

Beyond the Rear Verandah, the garden unfolds — lush and alive with mature citrus trees and cascading fiery flowers of the Orange Trumpet Vine. Within the fragrance of the lime and lemon, grapefruit and orange grove sits the dipping pool — finished in smooth cement with a coping of natural slate — an unhurried retreat to cool off, to linger in and to let the Aravalli landscape wash over one, set as it is within this 20 acre farm, embraced by the Aravalli Hills.

The Guest Bathroom — Khwabgah at the AravallisA bathroom composed with the same material honesty as the rest of the hous...
22/05/2026

The Guest Bathroom — Khwabgah at the Aravallis

A bathroom composed with the same material honesty as the rest of the house.

Raw lime-plastered walls and a monolithic concrete countertop set the tone — austere, elemental and deeply grounded. A rough-hewn granite sink, paired with a chrome cross-handle faucet, anchors the vanity with quiet sculptural weight. Above it is a picture window that overlooks vistas of farmland with the Aravalli Hills in the distance. On the window’s ledge is an antique Mughal glass hukka base and within it a finely crafted cane thresher from Manipur. A long extendable mirror is screwed on the other side of the window. Beneath the counter, handwoven cane and rattan baskets bring warmth and craft to an otherwise raw palette.

On the counter, almost nonchalantly leans against the wall an antique inlaid mirror in mother of pearl with a wooden frame. This was bought in the mid-eighties, from Khan Khalili in Cairo, and is now entirely at home in deep Haryana in India. As is a striped hand-woven runner in yak wool from the beauteous Northern Regions of Gilgit Baltistan.

Open dark wood shelving hold brass vessels and wooden bowls — each object with its own personal memory. The closed shutters are in finely woven jati cane from the North East.

In the wet area, a bamboo ladder from Indonesia is used as a towel stand. This introduces a moment of quiet ingenuity — functional, beautiful and rooted in craft.

And always through the dark steel-framed picture window, one sees the flaming red flowers of a Kalanchoe creeper. That is Nature, composing the most arresting artwork in the room.

Photography:


[K2India, Architecture & Design, Interior Design]

               

©️ All copyright and other Intellectual Property Rights in the image and its contents including but not limited to all trademarks, logos, graphics and its overall look belong to KOHELIKA KOHLI ARCHITECTS AND DESIGNERS PVT. LTD. ().

The Guest Bedroom — Khwabgah at the AravallisA room that offers rest without surrendering its character.The Guest Bedroo...
22/05/2026

The Guest Bedroom — Khwabgah at the Aravallis

A room that offers rest without surrendering its character.The Guest Bedroom at Khwabgah is defined by two of its most striking architectural elements — a ceiling of raw Dholpur stone slabs, warm terracotta in tone, is laid between exposed steel beams…… all ancient in character along with the comfortable cement sofa and cement bed.
Lime-plastered walls in a quiet taupe hold a thoughtfully curated gallery of architectural sketches and drawings, each framed with considered precision. Another collection is of old beaded pankhas from Gujarat.

A wooden-framed picture window becomes the room's most deliberate composition — framing a single tree as if it were art itself. The other furniture is in dark-wood and the coffee table is a massive Nagaland wooden plate. The bed linen is in neutral colours, offset with just two russet-coloured cushions. An Orientalist inspired painting of a young woman by the talented artist Vijendra Sharma is the focal point of the sofa wall.

Photography:
Furniture:


                ,

[K2India, Koko by K2India, Architecture, Interior Design, Architecture & Design, Interior design, Modern architecture, Furniture, Furniture Design]

©️ All copyright and other Intellectual Property Rights in the image and its contents including but not limited to all trademarks, logos, graphics and its overall look belong to KOHELIKA KOHLI ARCHITECTS AND DESIGNERS PVT. LTD. (). Any unauthorised usage amounts to violation of our Intellectual Property Rights and will attract appropriate legal actions.

The Master Bathroom — Khwabgah at the AravallisWhere materiality becomes meditative….The large Master Bathroom at Khwabg...
15/05/2026

The Master Bathroom — Khwabgah at the Aravallis

Where materiality becomes meditative….

The large Master Bathroom at Khwabgah transcends utility — conceived as a space of pure sensory immersion, where every surface and texture is an act of architectural intention. Raw lime-plastered walls in deep charcoal envelop the space in a moody, cave-like stillness, while large-format dark stone flooring grounds the volume with quiet permanence.

A monolithic concrete double vanity with a shelf beneath in solid wood holds a hand-carved stone vessel. This anchors the space with sculptural restraint. A cloud-form organic mirror above introduces a rare softness of form — a deliberate counterpoint to the surrounding austerity.

A circular freestanding concrete bathtub, made from a section of a large sewage pipe, commands its own corner with a handsome Edwardian cheval mirror reflecting it. Exposed copper fittings covered with hesian rope and brass lotas on open stone shelving layer the space with warmth and quiet ritual.

Part of the Master Bathroom is openable to the sky. Lush tropical foliage spills inwards through a wood-framed opening — where the act of bathing at Khwabgah, becomes an immersive experience in the ancient landscape of the Aravallis.

Photography:
Furniture:


                ,

[K2India, Koko by K2India, Architecture, Interior Design, Architecture & Design, Interior design, Modern architecture, Furniture, Furniture Design]

©️ All copyright and other Intellectual Property Rights in the image and its contents including but not limited to all trademarks, logos, graphics and its overall look belong to KOHELIKA KOHLI ARCHITECTS AND DESIGNERS PVT. LTD. (). Any unauthorised usage amounts to violation of our Intellectual Property Rights and will attract appropriate legal actions.

The Master Bedroom — Khwabgah at the AravallisA retreat composed in stillness.The Master Bedroom at Khwabgah is designed...
12/05/2026

The Master Bedroom — Khwabgah at the Aravallis

A retreat composed in stillness.

The Master Bedroom at Khwabgah is designed as a private world. It was originally the cattle shed when the _gujjars_ owned this property. It then became the tractor shed 40 years ago. Today, it is the large Master Bedroom where the architecture recedes and the room breathes. Exposed iron beams span overhead, raw and unhurried, as lime-washed walls hold the quiet warmth of the enveloping space.

A four-poster bed, in solid dark wood anchors the room with a grounded, considered presence. A pair of antique Osler lamps on either side and old inlaid Egyptians dowry chests are at its foot. Brass _paraaths_ converted into a coffee table, a wooden rocking chair and a hand-woven dhurrie layer the intimacy of lived-in comfort with honest materiality. Contemporary art, a group of handmade mirrors from Bali and Kalighat paintings from Calcutta are found on the walls.

The handsome armoire has above it a pair of unique alcohol decanters from Nagaland, made out of tightly woven cane. Two small water colours of bulls hang beside the armoire.

A massive longitudinally sawed teak trunk is used as a desk with a 19th century English Captain-backed desk chair and an open steel-framed bookshelf above. This forms a quiet writing space. It completes the room — a space within a space, for solitude, reflection and the unhurried pace of family life at Khwabgah.


               

©️ All copyright and other Intellectual Property Rights in the image and its contents including but not limited to all trademarks, logos, graphics and its overall look belong to KOHELIKA KOHLI ARCHITECTS AND DESIGNERS PVT. LTD. ().

Address


Opening Hours

Monday 10:00 - 18:30
Tuesday 10:00 - 18:30
Wednesday 10:00 - 18:30
Thursday 10:00 - 18:30
Friday 10:00 - 18:30
Saturday 10:00 - 18:30

Telephone

+919650391250

Website

Alerts

Be the first to know and let us send you an email when K2India posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to K2India:

Shortcuts

  • Want your business to be the top-listed contractor?

Share