12/08/2026
A working studio has no room for decoration. Every decision has to earn its place.
The ground floor of Vinod’s studio is where the work actually happens and the design responds to that completely. Potter’s wheels positioned with access to electrical points. Storage racks designed in a streamlined, organised manner so that finished and unfinished ceramic pieces can be stored properly without the space feeling chaotic.
Chattai curtains woven cane covering the loft storage instead of conventional shutters. Light, natural, and completely in keeping with the craft identity of the space.
The walls are white and largely unadorned because the ceramic works displayed on them are the only decoration this space needs or wants.
But the detail that makes this floor extraordinary is underfoot. The flooring is IPS Indian Pattern Stone a cement floor cast on site, rugged enough to handle the daily demands of a production studio. But embedded within it, while the cement was still being cast, are ceramic flower inlays. Small, precise, completely unexpected. The artist’s own craft embedded literally into the floor he works on every single day.
And above it all, industrial pendant lights hang at considered heights chosen specifically for the intensity of light required to see the minute details of clay modelling. In a space where function is everything, even the lighting is purposeful.
This is a floor that knows exactly what it is and does its job without once forgetting who it belongs to.
[Artist studio interior, Ceramic studio working floor, IPS flooring with inlay, Ceramic flower inlay, Craft studio design, Organised studio storage, Studio Yamini, Vinod Artist Studio, Functional studio architecture, Industrial pendant lighting.]